First off, let me complain that there's not a next chapter yet. Grr.
You've had me glued to a monitor for two weeks now reading all of this.
Second, let me state up front I've never seen Neon Genesis Evangelion. If
someone wants to tell me where I can download episodes, I can correct that,
but I'm coming to this completely ignorant of who these characters are or
how they're *supposed* to act. And in all honesty, you've probably forever
ruined the chance of me not feeling vaugely dissapointed when I finally do
see NGE, because they won't be these characters, or this story.
Thank you. Coming from me, that's actually a compliment on doing a good
job. It's like I will never again be able to read LoTR without being
disappointed in Sam being such a whiney tag-a-long and not the wonderful
character he was in the movie. Or thinking Ranma and Shampoo are a little
too shallow in canon after reading such works as Shampoo 1/2, or Hearts of
Ice. Sometimes, the rewrite is better.
I can't say that for certain here, but I'm willing to bet NGE had no where
near the depth you've given the characters here. From what little I've read
of NGE fics, I seriously doubt Gendo is the quiet hero he's portrayed here
as, at the least.
And yes, I do see Gendo as a hero. Despite all his coldness, he's driven by
one goal, and one goal only. The survival of the Human race as a free
species. For all he courts SEELIE and technically serves them, it has
become increasingly obvious he's out to save mankind from the Elder Gods by
any means needed. He's sacrificed everything else for that goal, even his
own wife and son, but for the goal he seeks, he had no choice. Like any
true Lovecraftian hero, he's become possessed of too much knowledge to
remain... *human*
That's where a lot of the admiration I have for this work comes in, the mix
of Lovecraftian horror in a modern setting. Yes, humanity has become jaded,
and technology make those *undreamed of mysteries* a lot less mysterious,
but you've managed to capture a lot of that horror, while still keeping the
humor typical in so many anime. The constant uses of prophecy help set that
tone well.
So does the death of various characters we've come to know, like Kensuke.
(You've actually made me look up "The King in Yellow" and it's next on my
reading list.) War is like this. People die, and it helps to bring up a
personal connection to the story. And the way they sometimes die brings the
horrors home. The Throne, the Violator, and Adam all brought the elements
so common to Lovecraft and his fellow horror writers into play, where they
were met with a modern attitude of "you can only scare me so much before I
strike back."
It's the line about Hope being the one weapon the Elder Gods couldn't fight
that really drove the point home. HPL's work was about hopelessness, the
inevitability of the Elder Gods victory over a weak and ignorant mankind,
yet it was written in the dawn of mankind's new age of knowledge. CoaEG is
set in the fullness of that new age, where ignorance is slowly being cast
aside, and understanding is giving the Elder Gods a kick in the ass.
I also like the way it seems that Mankind is being tested by the Outer Gods,
to see if they are worthy of surviving where so many others have failed, and
see if they can keep their humanity in the face of overwhelming power that
has corrupted such mighty and intellegent beings, leaving them as unable to
control their basest instincts as the lowest animal.
That was Adam's failure with Rei. She controlled her animal self and stayed
human. And had she not failed to control the urges of the Violator, and
felt remorse for her failure to do so, would she have had the strength to do
so? For all her inhumaness, I think Rei may end up the one who learns the
most about being human. I do hope Asuka gets over herself soon and realizes
Anna is in love with her, and that she is "protesting too much" about having
had sex with a girl. The longer she keeps Shinji dangling, the more
complicated she makes everything.
And yes, I do think that the Sixth Child is the key, because if all the
Children have loves, then they become far stronger against anything that
Cthulu or Narlythotep can pull. Hikari and Touji, Anna and Asuka, and Rei
and Shinji are what I see. Six EVA for a Seal of Solomen verses five for a
pentegram.
And I am curious as to what Akane is up to. It's hard to figure if she's a
cultist, or just curious, but she's definately up to something, and I don't
yet know if it's a good thing or a bad thing. I'm not really sure Misato
and Makoto are a match made in heaven. But I definately think Maya and
Ritsuko make a cute couple. Maybe Asuka will learn something from them.
By the way, if you haven't guessed, Rei is my favorite from this story.
She's the ultimate outcast trying to fit it. She has everything I used to
like so much about Illyana Rasputin, a truly dark side she has rejected, and
constantly has to fight against, yet the very struggle not to give in has
made her far more human in ways than anyone gives her credit for. She chose
to stay in her cell after the Violator, and she has chosen to try and seek
forgiveness. And, as usual, Asuka is being a spoiled brat. While, yes, it
was a horrible thing, she had the power to make Rei stop. She needs to
realize she was affected every bit as much as Rei. She participated as much
as Rei did. She needs to stop being a princess and a snob.
Humm. Well, that's my opinion anyway. If you continue the way you have so
far, whatever the outcome, I'm sure I'll enjoy it. It's been far too
wonderful so far. I don't get to enjoy stories this good often, so I hope
the continuation will come soon.
Please???? I'll even volunteer to beta if it will help it come out sooner.
LSM
*******************************************
The most preposterous motion that H. sapiens has ever dreamed up it that the
Lord God of Creation, Shaper and Ruler of all the Universes, wants the
saccharine adoration of His creatures, can be swayed by prayers, and becomes
petulant if He does not receive this flattery. Yet this absurd fantasy,
without a shred of evidence to bolster it, pays all the expenses of the
oldest, largest and least productive industry in all history.
-- Lazarus Long --
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