Subject: [FFML] [FanFic][Sailormoon]"Sailor Marionette Knight"
From: Gillian von Karmann
Date: 10/3/2002, 1:12 PM
To: ffml@anifics.com



CONTENT-NAME: "SAILOR MARIONETTE KNIGHT"
{formerly known as "Beginnings"}

Content-Type: ANIME FANFIC/BSSM

CONTENT-DESCRIPTION: FICTIONAL ESSAY ON THE USAGE OF SOME
FUNDAMENTAL SYMBOLS FROM TRADITION AND ESOTERISM BY AUTHORS OF MANGA,
ANIME AND OTHER KINDS OF STORY-TELLING.

RECOMMENDED SYNCHRONIZATION RATE: 400% OR HIGHER.

AUTHOR: Gillian von Karmann [vonkarmann@yahoo.com]

DATE: AUGUST 30TH, MMII

.

[BLOCKQUOTE]

"Damn it Leon! HAVE YOU *REALLY* EVER SEEN THE TV TELL AND SHOW THE
WHOLE TRUTH ABOUT ANYTHING THAT WE DO?"

{from "Bubblegum Crisis 2040"}

[/BLOCKQUOTE]


PREVIOUS CONSIDERATIONS
�������� ��������������
1) This short fic IS an "Out-Of-Character" story. If you just hate
O-O-C stories, then simply do not read this one. You were warned.
Please do not come tell me that this fic is a bad fic *only because
it is O-O-C* and you don't like O-O-C fics because O-O-C fics ipso
facto are bad fics --- unless you really want to be:
a) flamed back and b) duly called "baka yarou" and "kisama",*minimum*.

2) Good artworks usually are full of symbols of universal/
traditional/esoteric nature. Quite unfortunately, as time goes by it
becomes more and more difficult to find persons who can realize the
presence of the great symbols and comprehend correctly their
respective meanings. Of course the symbols that appear in
anime and manga are not "just for decoration". And because of
their undeniable strong influence upon the collective psych�, one
cannot seriously consider that the symbols were used only for
helping the manga editors and TV network owners
make (more) profit. Unless you keep this in mind you will not be
able to appreciate or evaluate this fanfic properly.

3) Generally speaking, anime have a fragmentary and not much "coherent"
narration structure. The possibilities of inserting new characters,
additional parallel and concurrent plots, unusual or bizarre
situations, change and development of the original characters, etc.,
are thus made innumerable. Concretely, anything can happen, and
anything can be sure believable as well, where and when nothing
is real. The so-called "suspension of disbelief" before "unbelievable"
or "inadmissible" situations is in fact a process that depends
much more on the current state-of-mind of the reader themselves than
on the author, and effectively it does not have much to do with the
efforts and capabilities of this latter. In this way, some excessively
stupid readers can accept a whole lot of unanswered/unanswerable
questions and blatant absurdities in the anime without an objection
or complaint,but at the same time those same stupid readers certainly
will not approve the presence of new unanswered questions and
not-so-absurd absurdities in a fanfic. Kuso ne.

4) I am a person who (still - ?) loves the good anime *and* has a
reasonably huge and well-formed general knowledge. I am perfectly
aware that I am an avis rara. I also know that most anific readers
and authors do *not* enjoy _actual_ good literature, especially
because they were "educated" (read: programmed) to both ignore and
despise good books, good music, good film, for the self-evident
reason that real good artworks are *not* suitable for global mass
production and extra-fast megaprofit. Sou desu yo! Therefore
authors like myself often are called "bad writers" and our works
frequently are regarded as "bad fics". Well, presently
I am not sorry to have to say that I really don't know how to
produce "good fics" --- for I really have no interest in doing it.
Whenever I write, I sincerely concentrate all my energy and efforts
upon making good LITERATURE, i.e., a decently-done job.
I wrote Revolutionary Girl Sailorsaturn[BSSM],
To Whom I Give My Heart[EVA], Sayounara[SMJ], --- and all of them
are *not* "good fics". SMK is not a "good fic" either. If you're
still expecting to find an extra-cheap and easily-eatable story
in here, you're just in the wrong place.



                      "SAILOR MARIONETTE KNIGHT"


"No, this is not a nightmare, my dear odango atama", spoke Hotaru
to her rotten carbon-copy, whose naked body was being kept
immobilized, totally controlled by the irresistible mental power
of the avatara. Lying face up, Tsukino Usagi had been rendered
uncomfortably numb: she could not open her eyes, she could not use
her mouth to cry for help, could not move her arms and legs.
All that she could do then was wait... Before this day, she and the
bionic girl had been one spirit that owned two souls and two bodies;
but now, the big error that Professor Tomoe had committed several
years ago was finally about to be corrected; from this moment on,
the two sailor-suited warriors did have to become one single and
brand-new entity.

"Open your thighs wide", the cybernetic mistress calmly commanded;
Usagi's mind and body just could not help obeying, so she promptly
spread her lower limbs, showing the winged ark that contained her
holy grail, granting unlimited access to her sacred heart. Hotaru
pushed an unusual speculum into the five inch deep pink sheath of
Usagi, transforming in this manner that compressed empty space
into a fully-expanded cavity, and placed into Usagi's matrix
the output plug of an appropriate spiraled optical cable; then she
connected the input plug of the cable to her own navel.
After a pause of fifteen seconds, she did the same thing to herself:
connected the output plug of another cable to the maiden circuit
inside her womb and attached the second input plug to the belly
of the altered clone.

Soon afterwards, Hotaru exclaimed: "Angel Power, wake up!".
This action made Usagi feel the presence of a hard, hot and pulsating
cylindrical egg forming around the walls of her paradise city, and,
just as if it were a natural intromittent organ, the luminous
aethereal sword of Di�s little by little grew outwards, making its
shining head visible outside the vertical lips of her golden rose.
Hotaru experienced the same blissful sensation, most happy to see and
touch the blue seed that had just been born of the fiery wild fish at
the bottom of her spine... and even better, she was most happy to feel
that now her SuperSolenoid engine had been definitely made free to show
the whole splendor of its potency.

By last, the kami stated: "*IT'S DONE.*", and kissed the mouth of Usagi.
A glowing cloud made of bluish green ectoplasma rapidly appeared,
protecting the ultrasonic Moebius ring from the eyes of the mortals;
when it disapppeared seven minutes later, there was no Tsukino Usagi nor
Tomoe Hotaru anymore: the two females had been technomagically combined
into a new mechanical form of life --- the unexpected allmighty
reincarnation of... Agni, the Ram of Mars.

The job that she had to do was extremely simple: to save her planet.
That is to say, to stop the ones who were destroying their own
homeworld, and to prepare mother Earth for wellcoming a truly decent
type of people at last. There existed only one way to do this job: by
exterminating both the unforgivable insane part of mankind --- whose
stupid ways of living, acting and thinking were just and only a very
efficient way of raping, mutilating and poisoning the environment in
which it lived ---, and the abominable confederation of the
self-entitled "Enlightened Ones" --- these were the beings that had
created the human race, many thousands of years ago, by means of
badly-done genetical engineering, whose only and evident goal was to
produce conveniently useful puppets, dolls and marionettes from
corrupted versions of the genome of the Elohim. Riding the white flying
unicorn long known as Kalki, the newborn overgod codenamed Venus
left for her successful mission.

The year is 2012; the place: Toukyou, Niqpon; the month, December;
the day, 22nd; the moment: Saturday afternoon.

[EOF]
.











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