Myrriden,
This may be sounding a little harsh, but please don't take it the wrong
way. This fic looks as if it could be promising, but it needs some help to
send it on its path.
To begin with, it's hard to see where the fic is going. You've not
given us enough to more than guess at the nature of the story as a whole.
I'd tag this a [Teaser] perhaps, rather than a [Draft].
Next we have the problem of voice. This Ranma sounds more like a
member of the Kunou family. Were this an alternaverse, say a "Ranma the
Mage" story, this might make a little more sense, but you've given us no
reason to believe it here. Magical studies or no, Ranma shouldn't sound
this formal without a very good reason for it.
Second, there's the matter of his education. Ranma has picked up
multiple languages, many of them obscure, studied arcane magical texts, and
learned to decipher something of which Cologne (who is at a bare _minimum_
ninety years his senior and, depending on your sources, may be as much as
two hundred and ninety years older) cannot make hide nor hair? All of this
in two or three years? I don't think so.
Canonical Ranma is linguistically inept and academically challenged.
How many languages have you learned in your life? How long did it take you
to become competent enough to read a reasonably sophisticated novel, much
less archaic magical texts and inscriptions? In a language not even remotely
related to your native tongue, and only distantly related to anything with
which you had previous acquaintance?
Have you ever dealt with magical inscriptions or texts, particularly
pre-Renaissance ones? Most of them are deliberately obscure, and hard to
make sense of even when someone else has gone through and done the gruntwork
of separating them out into words (spacing and punctuation are a relatively
recent idea) and putting them into a clear typeface instead of the usual
irregular scribing. The words used are often completely different to those
used in the literary language (and even farther removed from the spoken
form), and may have multiple uncertain meanings, depending on a context
which is mostly lost to us. Ranma would need more than three years to
simply acquire the necessary background to begin working with this type of
material.
eventually discovering that the talisman held what were called >runes from
a mixture of Norse and anceint Celtic languages. This >
Sorry, but there's no such thing as "Celtic runes." The idea was
invented by Newagers who thought it would be neat to run together two
popular occult buzzwords (the same sort of thinking that led to "Zen Runes,"
"Voudou Runes," and, for all I know, "Pickled Runes on Rice."). No Celtic
language has ever been written in runes (not even Scots Gaelic, which
assimilated large numbers of Norse-speakers in the early Middle Ages).
Runes as we know them are exclusive to the Germanic languages, being derived
from Italic scripts (Greek-derived) sometime in the first millennium AD. A
script of similar appearance (but only distantly related) was used to write
an ancestor of Turkish--if you really want to use something obscure for this
talisman, "Runic Turkish" might be an excellent choice.
To whom is Ranma telling this? Is he speaking or writing? Is it a
diary, a letter, or something else entirely? I can't tell if you're trying
to cover this material quickly so that you can get on with your real story,
or if this is supposed to be a more important part of the fic. If you want
to _tell_ this part so you can get on with the story you really want to
write about, make it clear that this is a prologue, then move on as quickly
as possible. Perhaps you could tag it as coming from Ranma's memoirs, then
switch into the story that it sets up. For an example of this, see S.M.
Stirling's _Against the Tide of Years_ (the sequel to _Island in the Sea of
Time_), which opens with a quote from the supposed journal of one of the
major characters. This quote neatly summarises the major events of the
previous book in less than a page, giving the reader enough information to
understand the "current events" of the novel without forcing them to sit
through a ponderous "What has gone before" introduction.
If, on the other hand, you want the events described in this draft to
be a more important part of the story, you'll have to do more than make a
few cosmetic fixes. Stretch it out--describe Ranma finding this talisman
(where and how?), bringing it to Cologne, finding that she is unable to read
it. Show him realising that this is a different kind of fight, turning
seriously to academics, becoming an obsessive scholar, focusing all his
energies on learning languages, epigraphy, cryptanalysis, whatever it takes.
Show him taking it round to every academic, sorceror, magus, and minor
deity he can find, searching for clues. Show him studying Old Norse, Old
English, Old Friesian, the half-dozen different runic scripts, realising
time and time again that he's gone down another blind alley. Stretch it out
over time, perhaps writing only a few scenes per year, each showing how
Ranma is gradually growing from an indifferent student to a dedicated
specialist in an obscure field.
All that said, this looks as if it could be the beginning to a
promising storyline, and I hope you continue with it. All you have to do is
decide where you're going with this and work on how you're going to get
there. Good luck with it.
Regards,
Andrew
Andrew Carey -- ap_carey3@hotmail.com
"Mirie it is, while sumer ilast,
With fugheles song..."
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