This is both in response to your question about self-insertions and to
your fanfic in the same post. I figured there was no point in two
separate replies, so I apologize if this is long.
From: RainAyo@aol.com
To: ffml@fanfic.com
[snip]
I also have a question for any of those that might wish to answer. ( Stupid
as it may sound... ) I've done my share of self-insert fics and I've gotten
some responses. I've written exactly three self-insert stories. Two out of
the three stories make no mention what-so-ever ( that is of course unless you
know me very well ) that they are self-inserts. My stories center around
someone else and I just happen to be in the background. My question is: Is
something like that a better idea than blatent self-insertion. Would you
rather read something where the self-inserted characters are really obvious
and really the main characters or would you rather read something that is a
little less obvious and not centered apon YOU?
I think this is an issue of writing skill; what matters is how well the
'self' character fits the story. I've read stories where the 'self'
character only had a few lines, but stuck out like a sore thumb, and
stories where the character hogged the spotlight but was crucial to the
story. I've read a few where I couldn't tell the character was a
self-insertion, only that something was badly out of place, and a few
where the character screamed 'Look at me, I'm the author!' but I really
enjoyed it anyway. My personal preference is for funny stories that use
the 'self' character to contrast the outrageous world of anime with the
normal life most of us lead. But that doesn't mean your story -- where
you've instead toned down Usagi/Serena's life to something less
outrageous for a few moments -- is bad. Which brings me to the C&C.
Serena stopped in front a small cafe. Inside there was a woman
In front of a etc. ...this story needs proofreading for typos. I won't
point any more out, since it looks like you typed this in kind of fast
and have probably already noticed any other typos I might mention.
playing a piano and it seemed almost empty otherwise. She went in and
took a
seat off in a corner. A waitress came up and she ordered a soda. After the
waitress handed her her soda she continued her brooding.
I think you could give the scene a bit more atmosphere. I would rather
know whether the cafe was dark or sun-drenched, clean or dirty,
chrome-plated or old-fashioned, than what she ordered.
'I just don't understand. How is it possible that he just suddenly
doesn't care about me anymore?' she asked herself. 'One minute we were
[snip]
And he most certainly doesn't love Reenie in that way. He's just worried
about the little squirt. We all are. There are some real sickos after her.'
Since just about anyone who will take the time to read a SM fanfic has
seen or read Sailor Moon R, we're well aware of the situation. You might
want a bit of internal monologue, just to set the time frame, but it
isn't necessary to go through the whole litany of trouble. It might be
more effective to show Serena from outside -- her shoulders drooping, her
eyes at half-mast, chewing her nails -- or shoveling food down her neck
like there's no tomorrow, if that's how you see her acting out her grief.
Her bare thoughts don't really bring her troubles home to the reader when
we can't 'see' or 'hear' her.
The young woman playing the piano was different as well. She wore
Different from what? Different because she was a gaijin? Because her
clothes had holes in them? I don't understand what Serena is reacting to
exactly.
wide leg jean with a few holes in them from obvious wear and tear. She wore
a black tee-shirt with the picture of a woman on it. Serena couldn't quite
make out the writting that was underneath the picture. Around the young
woman's waist was a black and white flannel shirt. Her long aubun hair was
pulled back in a loose braid.
This is the only place I see you making a real self-insertion error in
this piece. You haven't described what Serena is wearing, or even whether
she's bawling out loud or bravely hiding her sorrow, but you describe
every item of clothing the piano player is wearing. That's not fair to
Serena, is it?
to play another song. "This is called Tear in Your Hand."
Okay, we know Tori Amos is great. But suddenly this is a story about your
favorite songs. Believe me when I say that this -- especially when you
write down the entire lyrics of the song -- really robs the story blind.
The point I see you *trying* to make is that Serena, in a blue funk with
a broken heart, encounters a sympathetic pianist who plays a song that
sounds just like what she's feeling. But rather than Serena's reaction,
you've written the song itself. I think that was a mistake.
Serena applauded for the pianist. "That was good," she said. She
Isn't she affected by the song at all? And isn't Serena usually a more
demonstrative person? I can just hear her clapping her hands and
squealing, "Wow! You're really good!" ...either that or bursting into
tears...
got up and took the seat by the piano.
"Do you sing?" the pianist asked. "I bet you're really good."
"Well I sing to the radio at home, but I don't think that really
counts," Serena said.
"Oh I bet you're good any way. Here give it a try. What would you
like to sing?" the pianist asked.
Once again, what's Serena's reaction? Is she shy? Then make her really
shy! Is she eager? Maybe she has visions of herself as an 'idoru' star!
The great thing about Serena is that she's never bland about anything.
Also -- at this point I found myself asking why this pianist was asking
her to sing. Can she see Serena is sad, and is trying to cheer her up?
Has she got a gig she can't get out of, and she's come down with
laryngitis? Does she ask everybody, or can she sense Serena is special
somehow?
The two of the spent the afternoon just singing different songs. The
pianist, Asa, invited her to sing later on that night. Serena got all
excited and told all her friends. They all said they were going to come and
see her debut.
Let's see her being excited -- she's so good at it, after all!
Darien entered the cafe. He'd overheard Lita and Mina talking about
[snip]
She turned to someone he couldn't quite see. So he hurried off to a table.
A suggestion: leave a blank line or put a row of dots to signal a POV
change, and then show us Darien's entrance from his own POV. "Darien
paused outside the cafe. He'd overheard Lita and Mina talking about
Serena's singing debut, and he'd decided to check it out. Now he was
wondering if that was such a good idea." Or whatever -- I don't mean to
put words in your mouth, only show you what I mean by point of view.
Serena sat down beside Asa and smiled as she played the song again.
It reminded her a little of her and Darien. Half way through the song she
Is she singing? Is it hard for her? Has she discovered a new talent, or
is she working with all her might to do a good job?
[snip snip]
Insensitive
Again, not the whole lyric sheet please. The title is sufficient to
explain Darien's reaction.
'Is this really what she thinks of me? I wish I hadn't had to do
Is he maybe a little angry? After all, as he sees it, he dumped her to
save her life, and now she's singing accusations at him in public.
Darien stood up and Serena saw him. She looked like she was going to
cry. She turned away from him and sat back down beside Asa. She whispered
to Asa and then hurried to the bathroom. Darien stopped himself from going
after her. He shook his head and left the cafe.
'That song was meant to be heard by me, wasn't it. I've lost her
haven't I. I'm so sorry Serena. I did this all for you. I wish you could
know exactly how I feel about you,' Darien thought.
This is the bare skeleton of a very powerful scene, but it lacks real
emotion. A little less Hemmingway, if you please... :)
In the bathroom Serena wiped away the last stray tear. 'I have to
get over him. It's over between us. It's best this way. It'll hurt less
if
it ends now,' she thought to herself. Somehow she didn't really think that
she'd be able to keep that promise.
Good show of strength from Serena, confirming what we all knew -- that
she isn't really the airhead she seems. Possibly a bit OOC, though, as we
later see that she never gave up on him, and in fact was determined to
chase him to the ends of the earth if necessary... but who's to say she
didn't have a few private moments when she'd had enough loneliness and
decided to give up?
Enjoy!
Rain Ayo ( rain_ayo@hotmail.com )
http://members.tripod.com/~Rain_Ayo/
All in all, a good effort. My comment for you is that what you have here
is the *outline* of an excellent fanfic. It really needs some flesh on
those bones, though. Go over it again and fill it in, write too much
rather than too little and then pare it down. Take your time, linger over
it, look for words that really evoke the atmosphere you want to show.
Then you'll have a story worthy of your story idea.
If you do take my advice, and flesh out this story a bit more, I'd be
really interested in reading the result of your rewrite. You could mail
it to me privately if you don't feel like posting it to the list.
Gambatasai!
Jesse Hajicek * Art Propulsion Laboratories * St. Paul, MN
* Warm fuzzies, shocking originality, and battlemech repair *