David Thune wrote:
Kon ban wa Minna-san!
I just read the first part of Takahashi-sama's new epos, Inu-Yasha.
It's a bit slow but what I could see, it looks good, a little bit of
Fire tripper, with the time-thing and all.
What I wonder is, have any of you read it and if so, what do you think?
I, too, have purchased Rumiko's new series. I am a comic book
Manga-ka (comic artist/writer) myself, so I speek with a professional
oppinion.
Inu-Yasha is a great book. Unlike Rumiko's other stories, it
starts out slow. You don't have a "Bam", eyecather like her other
series, for example: Bam! A guy who turns into a girl, Bam! a hot alien
chick in a bikini, Bam! An immortal guy getting captured by amazons in a
forest, etc...
Rumiko's popularity allows her to do what almost no other artist
has been able to do: start out slow in the first issue/issues. The story
progresses slowly, lending to much character development while leaving
many questions to be answered.
Two points should be made in comparing this work to other works
by Rumiko Takahashi. First, the main character is a girl, unlike all her
other major series where the main character is a male. Second, the male
lead bears a resembalance to other male leads in that he is flawed. The
macho martial artist, the discilpineless boxer, the lecherous pervert,
have all been the male leads, in Inu-Yasha the male lead is flawed to the
point of being downright evil.
Inu-Yasha, as I interprete him so-far, is corrupted to the point
where he is possesed by demonic powers, traded his soul to the devil in
exchange for power. Maybe like SPAWN?
Two points can also be made in comparing Inu-Yasha to comics in
general. First, the "super powered hero" is of an evil nature, not
unlike Tekkaman or SPAWN. In that sense he is an antihero, a popular
concept in American comics. Second, the story takes a realistic yet
fantastic look at Japan's past. Many realistic-yet-fantastic books have
been created about the present, like "Code of Honor" or "Marvels" both by
Marvel, but realistics-yet-fanciful stories of the past are rare.
One more thing, this book has what many might call the
"SCREAM-factor". Like the new cult classic film, this comic tries to be
both terrifying an humorous. Graphic, pulse pounding scenes, like
getting grabbed by the monster, are interpossed with such sillyness as
"here, Buyo. Lunch.". This should only add to the series in the future,
considering how positively people have responded to said type of
entertainment.
Other:
Also, I just want to say one more thing:
Do you think Rumiko Takahashi really CARES about us? I mean,
sure, she's devoted to her countries fans, but what about us Gaijin? Did
she just sign some legal papers giving Viz the right to translate, then
just give no more thought? I mean, we are secondary. A work of hers
must get overwhelming fame before they even think of bringing it to other
countries (at least in the past it did).
It's kind of a scary thought, but I'd like to hear some
oppinions.
HAYES
P.S. I'll still trying to get my book published. I'll keep you guys
informed. I have so much Rumic influence in my work, you can't help but
read it.