Subject: [UPDATE] SM Returns In June; DiC Negotiating For SMR Movie (fwd)
From: Hitomi Ichinohei
Date: 1/27/1997, 10:59 PM
To: fanfic@fanfic.com

---------- Forwarded message ----------
Date: Mon, 27 Jan 1997 21:57:30 -0500
From: Brad Lascelle <panda@huron.net>
Newsgroups: alt.fan.sailor-moon, rec.arts.anime.misc, rec.arts.animation
Subject: [UPDATE] SM Returns In June; DiC Negotiating For SMR Movie

New developments with regards to Sailor Moon's everchanging
 status on North American airwaves emerged today, as Program
 Exchange... the syndicator that DiC has recruited to distribute Sailor
 Moon later this year... has bumped up the availability date of SM's 
 syndicated relaunch from September to June in the United States.

	In a conversation with Mary Jo Winchester, Vice-President of
 Cloverway (Toei's North American entity), earlier this afternoon, she
 confirmed the new developments and also passed along some additional
 details which will be disclosed here for the first time.

	While 'firm' details have not been revealed publically as yet,
 it is expected at this time that new episodes will be arriving in the
 highly prosperous Canadian market on YTV this fall.  26 episodes is
 the rough figure at this time, although more might be added further
 down the line... dub production would continue where it originally
 left off, with Episode 73 of Sailor Moon R.

	Specific details as to whether or not DiC will continue with
 the show's present Canadian distributor, Kaleidoscope Entertainment,
 or the production studio hired for the original 65 episodes, Optimum
 Productions, aren't known at this time, although I will be addressing
 these issues with DiC Entertainment later on this week.

	While it should be noted that this does not... and I repeat,
 DOES NOT... indicate that new episodes are confirmed as yet, the fact
 that an upper-level executive at Toei publically expects that at least
 26 additional new episodes are on the way should not be taken lightly.
 
	Only DiC can make those kind of confirmations, and they are not
 obligated to elaborate on their current plans until they're good and
 ready... however, a number of individuals from Toei to Randy Zalken at
 Kaleidoscope to George Irwin at Irwin Toys to the original cast, crew,
 and production team to Bandai to local and national affiliates from
 Australia, Canada, New Zealand, and isolated markets of the United
 States are ALL anxious to see new episodes hit the streets.  This
 isn't just a matter of scattered fans crying out to corporate
 America... DiC wants further growth out of their Sailor Moon franchise
 just as much as anyone.

	Winchester also disclosed that negotiations for the rights to
 the Sailor Moon R Movie are in progress with DiC... and that it's
 quite likely that they will come to terms on an agreement.  While DiC
 may pursue other distribution outlets, the likely venue for the dubbed
 version of the SMR Movie will be via a direct-to-video release of the
 title via Buena Vista.  

	(It should be noted that Buena Vista is the present distributor
 of the existing Sailor Moon episode compilation tapes.  Disney's
 upcoming dubbed Ghibli works... of which Kiki's Delivery Service and
 Laputa: Castle In The Sky are presently in production... will also be 
 released under that label.)

	For further reference, the information pertaining to two
 separate parties negotiating for the SMR Movie rights that was made
 public on the 'Voice Stars' website on December 14th was indeed
 accurate.  Buena Vista was one of those companies... the other party
 was Dazartan International, a group of Canadian virtual investors 
 headed by Steve Mittler who were looking into a faithful translation
 of the SMR Movie which would be released via video across North
 America... with possible theatrical releases in isolated markets and 
 a televised airing which may have followed afterwards.  

	While the proposal was supposedly sound, it is certainly 
 understandable that Buena Vista maintains a more comprehensive and 
 ingrained distribution net for their products, and is certainly more
 stable in terms of reliability, support, and tradition.  DiC's
 established familiarity with the Sailor Moon franchise is certainly
 another notable asset which came into play.

	With regards to the release of new episodes in the U.S.
 market... as well as the thriving markets of New Zealand and
 Australia, where the dub has already garnered a great deal of
 success... firm details are not being disclosed at this time, although
 one must certainly speculate that DiC would wish to release new shows
 in both Canada and the U.S. at as minimal an interval as possible.

	It should also be noted that Andy Heyward, president of DiC,
 has already stated on August 6th that "the kid's syndication business 
 in the U.S. is extremely competitive with very few choice time
 periods, and this ultimately limited the potential to build a large 
 audience" in a public press release.  

	Thus, it is certainly expected that DiC would still be intent
 on securing a more viable outlet for the series... be it via a network
 or weekend syndication... where available timeslots are a little more
 prosperous.  

	As stated earlier, the Program Exchange daily syndication
 agreement may essentially be a means of re-establishing Sailor Moon's
 presence on U.S. airwaves in order to make further production efforts
 (such as new episodes or movies) be viable and accepted in the rigid
 American marketplace.  In light of the series' breakthrough success in
 Canada... and Heyward's earlier comments... one must expect that DiC
 will not be content to simply settle for an obscure amount of
 timeslots in syndication.

	As to whether or not Bandai will re-establish its relationship
 with DiC as further exploration of the SM franchise in English-based
 markets is pursued, is somewhat of an unknown at this time.  Not many
 individuals are sure of what to make of Bandai right now, as their
 merger with Sega caught a lot of industry analysts by surprise.

	The 7 episode compilation tapes of existing dubs which were
 planned to hit the market from December through February via Buena
 Vista (in addition to the current three already on the market) have
 been delayed at this time.  The box art is still being worked on and 
 the discussions pertaining to the SMR Movie are holding up the process
 to some degree.  It is still expected that these tapes will hit the
 market, and I've made a point of contacting Matt Lasorsa at Buena
 Vista who will hopefully elaborate on the current status of the videos
 later on this week.

	The original three tapes featuring "A Moon Star Is Born", "Talk
 Radio", "Computer School Blues", "An Uncharmed Life", "Cruise Blues",
 and "Match Point For Sailor Moon" will be released in Australia and
 New Zealand for the first time later on this month.

	For further information on the current situation, I urge you to
 check out the extensive information packet that DiC has provided with
 the 'Save Our Sailors' fan movement.  It can be accessed via their
 website at:

   http://dau.physics.sunysb.edu/~ming/sos/smreturns.html

	Regardless of any criticisms you may have towards the movement
 itself, I think SOS deserves a great deal of credit for keeping the
 North American fanbase as readily informed about the situation as 
 possible at any given time.  The folks at DiC also deserve some thanks
 for passing this information along to the fanbase... it serves as a
 great deal of commitment on their part and it's certainly appreciated.

	For those of you interested in discussing the ongoing
 developments in an open forum, I encourage you to head over to either
 #supportsailors on EFNet or #sailormoon on Undernet, where I will be
 making myself available for comment on these current developments from
 10:00pm to midnight on both Tuesday and Wednesday of this week.

	Feel free to raise any questions you might have regarding this
 bulletin, the Program Exchange information relayed on the SOS website,
 or any other relevant details you might be curious about.

== Brad Lascelle <panda@huron.net>

 * Sailor Moon Returning To U.S. Markets In June